| mail: Bill Thayer |
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Transcribed:
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Expanded (and corrected!):
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Translated:
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Are we getting the idea that the letter i was weakly pronounced, at least wherever the stonecutter was working? And in fact, Latin minus has become menos in modern Spanish and meno in Italian: the sound change was starting to operate when Alexandrinus died.
Now look carefully at the actual cutting of the letters: each letter stroke has been defined by a dot at each end — and the stonecutter just connected the dots. It is said that this is the mark of an illiterate cutter of inscriptions.
Finally, the menorah itself: it has 7 branches. Not so unusual, except that — to quote The New Jewish Encyclopedia — "The Menorah now used in the synagogue has either more or less than seven branches so as to avoid the thought of any imitation of the ancient Temple." It is tempting then to date this inscription before the destruction of the Temple in 70 AD; but the style of the lettering is much later, so all we can apparently conclude is that our modern Jewish convention about representing the menorah does not itself date back that far.
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Images with borders lead to more information. The thicker the border, the more information. (Details here.) |
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Thanks to
David Meadows
for the scholarly part:
providing the exact ref, reporting the conjectural Ioses/Joseph and Moyses/Moses, and calling my attention to the Hebrew — that square in the upper left corner of the inscription is a mem, the last letter of "SHaLoM". . . |
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Page updated: 9 Sep 06