Horse

A thoroughly iconic representation:

In this painting — in the church of S. Martino (Trevi) — the poor man is very naked, Martin is very clothed, the sword is very sharp; and, to me at least, the piece of coat the saint is parting with doesn't look like it'll cover the recipient too well.

Still, I like this. Our two principals are concerned with their transaction. The horse, elegant, handsome and uninvolved, considers us. In other paintings of the period, it is a look normally seen on the arrogant young nobleman who just happens to be at hand.