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The apse of the church (alternate views: 1 • 2) as the visitor comes up on it from the south, on the road from Umbertide. |
The façade of the church (alternate view). |
The side door. The modern tympanum, depicting the church itself with a monk preparing to go out and work in the fields, is inscribed Preca e lavora: an Italian translation of the monastic motto more commonly seen in Latin as Ora et labora (Pray and work). It is not stone, but molded ceramic — see this detail view — and I believe it to be by the same artist as a similar but less successful tympanum at the church of S. Pietro in Verna, about 5 km N along the same road. The variety of stone in this photo, seen thruout the church, is notable. At the bottom, to our right, a few blocks may be of Roman origin. The crisp rectangular blocks of white limestone suggest repairs, maybe in the 13c or the 14c. The larger blocks of badly spalling beige stone are local sandstone, referred to in the region as pietra morta or "dead stone" because of its extremely poor resistance to wear, and may well date only to the 17c or so: see for example this 18c inscription in Città di Castello, about 13 km N of here. |
[ 1 page, 5 photos ] The interior is for the most part whitewashed; I don't know to what extent this either represents restoration — or on the contrary would invite restoration to see whether any frescoes or stonework underlie the modern paint. In the present condition of the church, two frescoes may be seen. |
In this view south as if coming from Città di Castello, the large group of buildings on the right are the church's former conventual compound. They are now a ceramics manufacture. |
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The thicker the border, the more information. (Details here.) |
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Churches of Umbertide |
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Site updated: 13 Aug 05