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Courtesy of Mrs. Elizabeth Buchanan Sullivan
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Charles Lee Lewis was born March 7, 1886 in Doyle, Tennessee. He graduated from Burritt College with a B. S. degree, then from the University of Tennessee in 1906 with a B. A., which he followed up with an M. A. from Columbia University in 1911 (Master's thesis: The early 'Gothic' and evidences of its influences in the poetry of William Collins), then going on to teach briefly in several small colleges in the United States and Europe, before finding his professional home as the professor of English and history at the United States Naval Academy (1917‑1951).
I've been unable to discover the date of his death: despite what one sees in multiple places online, he did not die in 1951, but he lived well after his retirement from the Naval Academy that year, until at least September 1962. His personal papers are preserved at the U. S. Naval Academy and at the University of Tennessee.
He was a prolific writer, almost exclusively on naval topics. His most important published works are naval biographies: the one you are about to read, and
Life of Matthew Fontaine Maury: Pathfinder of the Seas (1927);
The Romantic Decatur (1937)
His other books include:
Famous Old-World Sea Fighters (2 vols., 1929)
Books of the Sea: An Introduction to Nautical Literature (1943)
Admiral DeGrasse and American Independence (1945)
David Glasgow Farragut: Admiral in the Making (1941), a second edition of which seems to have been issued published in 1943 under the title David Glasgow Farragut: Our First Admiral;
Philander P. Claxton: Crusader for Public Education (1951)
Commodore Thomas Macdonough: The Hero of Lake Champlain (unpublished)
John Paul Jones and the Beginning of the Navy (manuscript, apparently not published, maybe not finished).
To these may be added several booklets; those I find traces of online are:
"Alonzo Chappell and His Naval Paintings"
"American Short Stories of the Sea"
"An American Naval Officer in the Mediterranean, 1802-1807".
He also wrote poetry but it seems to have remained unpublished.
Being prolific has its pitfalls. Lewis's books tend to be serviceable, even pretty good, as to the naval careers of his subjects, but give short shrift to the wider, non-professional aspects of their lives. In a review of The Romantic Decatur in The Pennsylvania Magazine of History and Biography, 62:105‑107, Marion Brewington pointed out that Lewis did a good job of accessing convenient major sources and collating them, but missed a whole deeper set of primary sources which time-consuming research would have ferreted out, altering Lewis's conclusions and enriching the book; as I worked on Buchanan (and before seeing that review), I grew very much to suspect something of the kind here, although I'm no naval historian and can't back up my impression.
One thing is quite certain, though: although we have a solid, readable account of Buchanan's naval career, Lewis fails to cover such aspects of his life as the man's character, except here and there in passing — Buchanan seems to have been something of a hothead and a martinet — or his personal relations, his finances, his religion, and in general, what made him tick. So to a reader seeking information on Buchanan's rôle in American history, the book is much more than satisfactory; if we want to learn about the man, the book is something of a failure. (In fairness, there is a mitigating factor. In order to access valuable sources and obtain irreplaceable first-hand oral history, Lewis sought and got the coöperation of many of the Admiral's family members, who are credited in his preface and thruout the book: he must no doubt have felt constrained, maybe even by explicit agreement, as to what he could reveal or how he could evaluate the man.)
The printed book is inscribed,
To my children |
Franklin Buchanan, entering the Navy as a midshipman on January 28, 1815, had thirty years' service and was a prominent officer when he was selected by George Bancroft, then Secretary of the Navy, to be the first Superintendent of the Naval Academy. Bancroft said of him that "Commander Buchanan, to whom the organization of the school was entrusted, has carried his instructions into effect with precision and sound judgment and with a wise adaptation of simple and moderate means to a great and noble end." The foundation so firmly laid has been the base on which all succeeding superintendents have builded. Throughout a long and varied career, Buchanan gave himself freely, completely, and with great ability to the tasks assigned, following fearlessly and with whole-hearted devotion the path which he believed to be right.
S. S. Robison
Rear Admiral, U. S. Navy
Superintendent, U. S. Naval Academy
Annapolis, Maryland
October 17, 1929.
Preface | vii | |
What's in a Name? | 1 | |
The Call of the Seven Seas | 8 | |
Schoolboy Midshipman | 16 | |
The Blue Mediterranean | 24 | |
Sing Johnny Off to China | 38 | |
Where the Pirates Prowled | 47 | |
The Fair Constellation | 60 | |
Of Shoes — and Ships — and Sealingwax | 74 | |
This is the Middies' School | 92 | |
Remember the Alamo | 114 | |
The Fire-Vessels of the Western Barbarians | 126 | |
Maryland, My Maryland | 151 | |
When the Merrimac Fought in Hampton Roads | 174 | |
Hope Deferred | 200 | |
Through Fire in Mobile Bay | 219 | |
Sunset and Evening Star | 246 | |
That's for Remembrance | 263 |
Lieutenant Franklin Buchanan |
Frontispiece |
"Auchentorlie," Estate of Buchanan Family, Baltimore |
2 |
Dr. George Buchanan |
4 |
Mrs. Laetitia McKean Buchanan |
6 |
East View of Baltimore about 1802 |
9 |
U. S. Ship of the Line "Franklin" |
º30 |
U. S. Frigate "Constellation" |
60 |
U. S. Ship of the Line "Delaware" |
70 |
Mrs. Anne Catherine Lloyd Buchanan |
74 |
Franklin Buchanan's Commission as Commander, U. S. Navy |
82 |
A View of Annapolis about 1845 |
92 |
The Superintendent's Quarters at the Naval Academy, 1845‑1883 |
º98 |
Invitation to Naval Ball at Annapolis in 1847 |
º108 |
U. S. Naval Expedition Ascending the Tuspan River, Mexico |
116 |
Crossing the Bar at the Mouth of the Tobasco River, Mexico |
118 |
The Landing of the Naval Expedition against Tobasco |
120 |
U. S. Steam Frigate "Susquehanna" |
126 |
A Fire-Vessel of the Western Barbarians |
º132 |
The American Expedition under Commodore Perry Landing in Japan |
º136 |
p. xvi First Japanese Treaty Commission Sent to the United States |
156 |
Captain Franklin Buchanan, U. S. Navy |
162 |
The Sinking of the "Cumberland" by the Ironclad "Virginia" ("Merrimac") |
186 |
The Burning of the "Congress" |
º190 |
Admiral Franklin Buchanan, C. S. Navy |
198 |
The "Tennessee" at Bay, in the Battle of Mobile Bay |
º234 |
"The Rest", Admiral Buchanan's Home near Easton, Maryland |
º250 |
Miles River, from "The Rest" |
258 |
Admiral Buchanan's Grave |
º260 |
U. S. Destroyer "Buchanan" |
º268 |
Admiral Buchanan's Last Photograph |
º274 |
These webpages transcribe my copy of the original 1929 edition, bearing the notice "Copyright 1929, The Norman Remington Co."; but the work is now in the public domain because the copyright was not renewed in 1956 or 1957 as then required by law: details here on the copyright law involved.
The printed edition includes 32 illustrations: engravings, lithographs, a few photographs, all black-and‑white except for the frontispiece; the others are tipped in on glossy paper next to the relevant text. In this Web transcription, not being constrained by print limitations, I've moved a few of the illustrations by a page or two to what I felt were more suitable places. I colorized almost all of them to navy blue, as I've done with almost all the illustrations in my Naval History site: the exceptions are the photograph of Adm. Buchanan in his Confederate grey uniform (facing p198), where it seemed inappropriate; and the pair of maps found on the pastedowns, in two identical copies, on the front and back covers, which I colorized for readability according to my usual scheme.
The table of illustrations above is from the printed edition. It did not include the maps. I added them to the table.
For citation and indexing purposes, the pagination is shown in the right margin of the text at the page turns (like at the end of this line); p57 these are also local anchors. Sticklers for total accuracy will of course find the anchor at its exact place in the sourcecode.
In addition, I've inserted a number of other local anchors: whatever links might be required to accommodate the author's own cross-references, as well as a few others for my own purposes. If in turn you have a website and would like to target a link to some specific passage of the text, please let me know: I'll be glad to insert a local anchor there as well.
As almost always, I retyped the text by hand rather than scanning it — not only to minimize errors prior to proofreading, but as an opportunity for me to become intimately familiar with the work, an exercise I heartily recommend: Qui scribit, bis legit. (Well-meaning attempts to get me to scan text, if successful, would merely turn me into some kind of machine: gambit declined.)
My transcription has been minutely proofread. In the table of contents below, the sections are shown on blue backgrounds, indicating that I believe the text of them to be completely errorfree; a red background would mean that the page had not been proofread. As elsewhere onsite, the header bar at the top of each chapter's webpage will remind you with the same color scheme.
The printed book was remarkably well proofread. The inevitable typographical errors were very few, and all trivial: I marked them with a dotted underscore like this: as elsewhere on my site, glide your cursor over the underscored words to read what was actually printed. Where a correction didn't lend itself to that treatment because it conflicted with HTML, it is marked with a bullet like this.º Similarly, glide your cursor over bullets before measurements: they provide conversions to metric, e.g., •10 miles.
A number of odd spellings, curious turns of phrase, etc. have been marked <!‑‑ sic in the sourcecode, just to confirm that they were checked. They are also few.
Any overlooked mistakes, please drop me a line, of course: especially if you have a copy of the printed book in front of you.
The icon I use to indicate this subsite is a cropped detail of the frontispiece.
Images with borders lead to more information.
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A page or image on this site is in the public domain ONLY if its URL has a total of one *asterisk. If the URL has two **asterisks, the item is copyright someone else, and used by permission or fair use. If the URL has none the item is © Bill Thayer. See my copyright page for details and contact information. |
Site updated: 2 Oct 21