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Discovery |
21 | |
The Setting |
31 | |
Ioway the Unregarded |
41 | |
The Red Barrier |
45 | |
Courses and Trails |
71 | |
Spain in Ioway |
85 | |
The United States in Ioway |
103 | |
Red to White |
123 | |
The White Tide |
147 | |
The Prairie |
173 | |
Overhead |
197 | |
The Red Barrier Falls |
207 | |
An Iowa that Might have Been |
223 | |
Corn |
235 | |
The Bible |
283 | |
A Sharp Turn |
315 | |
Politics |
325 | |
Lawyer-Statesmen |
345 | |
That Western Sea |
359 | |
Appendices: Black Hawk's Autobiography Iowa Newspapers Iowa Lecturers Acknowledgment |
397 |
Whose Dwelling is the Light of Setting Suns (E. A. Verpilleux, Masters of the Colour Print) |
Frontispiece |
The Cross of Burgundy (Spanish colors displayed in Ioway in 1797) |
facing 94 |
King Corn (Designed by Bertha M. H. Shambaugh) |
facing 242 |
Along the Union Pacific — 1871 (A Currier and Ives Print) |
facing 384 |
The edition transcribed here is that published at Iowa City, Iowa in 1931 by the State Historical Society of Iowa. It is in the public domain because the copyright was not renewed at the appropriate time under the law then in effect, which would have been in 1958 or 1959: details here on the copyright law involved.
As almost always, I retyped the text by hand rather than scanning it — not only to minimize errors prior to proofreading, but as an opportunity for me to become intimately familiar with the work, an exercise I heartily recommend: Qui scribit, bis legit. (Well-meaning attempts to get me to scan text, if successful, would merely turn me into some kind of machine: gambit declined.)
This transcription has been minutely proofread. In the table of contents above, the sections are shown on blue backgrounds, indicating that I believe the text of them to be completely errorfree. As elsewhere onsite, the header bar at the top of each chapter's webpage will remind you with the same color scheme.
The edition I followed was very well proofread; the inevitable few errors I found, I corrected, when important (or unavoidable because inside a link), with a bullet like this;º and when trivial, with a dotted underscore like this: as elsewhere on my site, glide your cursor over the bullet or the underscored words to read what was actually printed. Similarly, bullets before measurements provide conversions to metric, e.g., •10 miles.
A small number of odd spellings, curious turns of phrase, etc. have been marked <!‑‑ sic in the sourcecode, just to confirm that they were checked.
Any overlooked mistakes, please drop me a line, of course: especially if you have a copy of the printed book in front of you.
For citation and indexing purposes, the pagination is shown in the right margin of the text at the page turns (like at the end of this line); p57 these are also local anchors. Sticklers for total accuracy will of course find the anchor at its exact place in the sourcecode.
In addition, I've inserted a number of other local anchors: whatever links might be required to accommodate the author's own cross-references, as well as a few others for my own purposes. If in turn you have a website and would like to target a link to some specific passage of the text, please let me know: I'll be glad to insert a local anchor there as well.
The icon I use to indicate this subsite is the book's Frontispiece, which in the print edition precedes the title page of course; I've moved it to Chapter 2.
Images with borders lead to more information.
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A page or image on this site is in the public domain ONLY if its URL has a total of one *asterisk. If the URL has two **asterisks, the item is copyright someone else, and used by permission or fair use. If the URL has none the item is © Bill Thayer. See my copyright page for details and contact information. |
Site updated: 1 Feb 11