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The present parish church of S. Maria della Stella (properly S. Maria Assunta), at the summit of the steep little hill that is Allerona, was originally built in the 12c to serve the castle that at the time was pretty much all there was: today's village is a late arrival. The interior of the church is a late arrival as well, the result of a thorough rebuilding toward the end of the 19c by engineer and architect Paolo Zampi, who also worked on the cathedral of Orvieto his home town, the church of S. Nicolò at Baschi, and others. The nondescript medieval building is thus mostly a shell that serves as a canvas for 19c decorative work, similar in feel to the products of the British Arts and Crafts Movement.
Over the centuries, what must once have been a free-standing church, gradually saw houses accreted to it. |
One of the problems to be solved then by the 19c architect was how to provide enough light when the building no longer had outside walls on two sides. Here, though, although I don't absolutely know it for a fact, the stone panes are not medieval, but are surely due to Zampi: a solution that illumines the interior as much as possible while avoiding the cold glare of clear glass. Such a use of thin slices of alabaster goes back to Late Antiquity when sheet glass was very rare and expensive, and the High Middle Ages when glass had been forgotten altogether; here we can call it Late Antique Revival.
Looking toward what ought to be the façade (but the entrance to the church is on the side, barely seen here to the left under the organ loft); looking away from the altar, at any rate — |
— and toward the altar. |
The trusswork roof: for decorative effect the architect relied on the natural color of the local bricks, matching to them his painting of the wood. |
And saving the best for last: the choir vault, an Assumption of the Virgin frescoed by the 27‑year‑old Sienese painter Arturo Viligiardi (1869‑1936); in the lunettes, scenes from her life, with the central moment, the Annunciation, almost completely cropped here, yet quite recognizable. |
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Page updated: 15 Jun 14